The doctoral journey looks different for everyone, but there are some common hard parts. Knowing that these parts can be hard for lots of people is often a bit reassuring. It also helps you to plan—I had a lot of friends doing their PhD ahead of me, so I was able to watch them and know what might be coming for me.
With major strides forward in AI (artificial intelligence/machine learning), computers are increasingly able to produce music, images and text. So you might wonder if soon we’ll have an AI that can write your PhD for you.
It’s publication week for Writing Well and Being Well for Your PhD and Beyond: How to Cultivate a Strong and Sustainable Writing Practice for Life. It’s available as a paperback and ebook on all the big book websites, and via the publisher. As with all my books, I’m delighted if you buy a copy but also delighted if you recommend it to your university library so you get to read it and so does everyone else.
I had the best time writing this book, and the pre-readers have given such warm and delightful feedback. My series editor described the book as ‘your best friend’; ‘it’s personable, relatable, oozing with strategies.. It simply is a gift’. The peer reviewers said things like: it’s ‘calming and supportive’, ‘a useful review and re-thinking of the writing process’ that ‘gives permission’ for you to write, containing a ‘sprinkling of humour’ but also ‘addictively practical’.
If you have ever been to one of my workshops in the last decade, you will probably have done this warm up. In fact, if you came to a multi-day writing retreat I ran, you would have done this at the beginning of each day. It is the most powerful, most flexible, simplest tool in my writing tool box.
Page proofs (sometimes called first proofs or galleys or uncorrected proofs) are the last stage of an author’s engagement with a text before it goes to print.
You may have heard the proverb ‘a journey of a thousand miles begins with a single step’, it’s from Lao Tzu’s Tao Te Ching. But while getting started feels hard, finishing a research thesis is so much harder.
A PhD is often inspired by a particular vision–either your own passion project or a passion project of a more senior researcher. When you pitched the thesis to funders and your faculty, the project was going to be a sweeping, world-changing, life-changing research idea that would proceed without any hitches. And then you have to deal with real life.
“Deadline juice” is a term I just made up when talking to a student the other day, but it’s pretty apt. It describes the eustress response to an upcoming deadline—a healthy (yes short term appropriate stress responses are healthy!) jolt of adrenaline when your energy is up, your focus is up, your speed is up.
There is another intermediate stage of editing, which is typically called ‘line edits’ in creative writing. This is the edit that is all about style and grace, about flow, about clarity and voice. In other words, this the edit that is absolutely not essential and many academic writers don’t bother with it. It’s a ‘nice to have’, a cherry on the cake, which is why I haven’t written about it before.
If you have ever learned the piano, you may have had to do ‘five finger exercises’—little pieces that are less about their musical value, and more about making you use all five fingers on your hands, to improve your technique. They are warm-ups, strengthening and skill-building exercises. They are part of the invisible part of performing music—I have never seen a concert performance of these exercises, but I’m also certain that every concert pianist I have ever paid to listen to, has done hours and hours of them in their time.
