We are still having discourse about who should be productive, who doesn’t need to be productive, how to be productive in the plague times, and it’s all very confusing. While there are some Objectively Bad Takes, there are also just a lot of conflicting views that are mostly confusing because they all assume we know what productivity is and what it looks like… and I’m really not sure we do.
There is another intermediate stage of editing, which is typically called ‘line edits’ in creative writing. This is the edit that is all about style and grace, about flow, about clarity and voice. In other words, this the edit that is absolutely not essential and many academic writers don’t bother with it. It’s a ‘nice to have’, a cherry on the cake, which is why I haven’t written about it before.
When you start a PhD, you are doing something you’ve been practicing for a long time, studying, and you’ve shown you are really good
Are you a ‘Spreader’ or are you a ‘Stacker’? In your writing time, do you prefer to spread it out by writing a little bit every day, or to set aside a ‘writing day’ and stack up all your writing blocks in one go?
If you have ever learned the piano, you may have had to do ‘five finger exercises’—little pieces that are less about their musical value, and more about making you use all five fingers on your hands, to improve your technique. They are warm-ups, strengthening and skill-building exercises. They are part of the invisible part of performing music—I have never seen a concert performance of these exercises, but I’m also certain that every concert pianist I have ever paid to listen to, has done hours and hours of them in their time.
There is an important aspect of feedback that you may be ignoring… and that is accepting positive feedback.
When I was part of the La Trobe RED team, and we were running our Accelerated Completion Programme for late-stage PhD candidates, we got people to do a thing we called a ‘writing audit’, where you counted up what was in all the sections of your PhD, and then worked out what was still missing. It could be scary, or a massive relief, but either way it gave you a sense of where you actually were.
If you have ever been to one of my workshops in the last decade, you will probably have done this warm up. In fact, if you came to a multi-day writing retreat I ran, you would have done this at the beginning of each day. It is the most powerful, most flexible, simplest tool in my writing tool box.
We need to make time for writing, but obviously we can’t make extra seconds in the day!
